In many occasions you want both major and minor in your progressions. You can change the sequences from major to power chords, for example: A5 - E5 - C5 - D5. You could include some minor chords as well, but these sequences were meant to show different possibilities for major chords exclusively, which for example could help you with power chord progressions. Here are some sequences that include this non-diatonic chord (in bold) together with diatonic chords: Therefore, it will be more important where you put this second non-diatonic chord in sequences to make it sound great otherwise, it could be too much dissonance. These chords are even far away from the key since its relative minor is not in the key as was the case above. Add another fourth (non-diatonic) chordįar from all guitarists knows that it's possible to add yet another major chord which tones is partly outside the key. Try these sequences both with open chords and barre/power chords. So if you wish to create longer progressions for your rock song riffs or whatever, here is a list with four-chord progressions that sound good together (non-diatonic chords in bold). not related to the scale), which in the right situations can be very well suited. The most common way is instead to incorporate minor chords, but before we come to that we will try to add a fourth, non-diatonic, major chord (i.e. When you try to add a fourth major chord, it will not always sound absolutely right. The categories listed above have all very distinct relations to each other. Note that all these triples have the same relationship in distances on the fretboard when you play barre chords and power chords. These triples of chords can be played in different orders, but the first letter make up the tonal center and establish the key. Many riffs and choruses are constructed with only three chords. To learn which triples of chords that functions well together is really useful. Am to Em or Em to Am works well in both cases. You can play these pairs of chords in both directions. It's quite easy to find a pair of chords that fit together and it's enough to mention a few examples before we go on with longer progressions. Let’s do some organizing of chords and point out which fit nicely together. If you, for example, start with C it will never sound bad if you continue with F or G. Regardless which chord you start playing, the next you choose will sound all from just right to completely wrong. You strum a chord … and where do you go next? This is a common question and we will try to sort out some answers.
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